When their deal is sealed, the spouses are blithely looking forward to another three decades together.īy turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril.
To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they’ve both turned eighty. Determined to die with dignity, Cyril makes a modest proposal. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Surely one’s own father passing should never come as such a relief.īoth medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Over ten years, Alzheimer’s had steadily eroded this erudite man into a paranoid lunatic.
When her father dies, Kay Wilkinson can’t cry.
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